‘Melanie’ Safka Exclusive: “My Mother Drove Me To Woodstock” (Part 2)

By Ray Shasho

Part 2 of 2:

Melanie Safka (Melanie) was once hailed as the female Bob Dylan. Her awe-inspiring lyrical connotations were accompanied by her majestic voice and an acoustic guitar. She was a lone entity onstage but radiated a powerful force that became the voice and spirit to one of the most important generations the world will ever know.
Here’s ‘PART 2’ of my interview with singer, songwriter, musician, Woodstock and 70’s legend … MELANIE.

Ray Shasho: Melanie, what happened to your mom, was she in the audience at Woodstock?
Melanie: “(Laughing) This is so sad, I don’t remember getting back from Woodstock. I guess we rendezvoused and she picked me up somewhere. I never got to ask her how I did.
Ray Shasho: I heard that you’re also a pioneer for concert etiquette … holding up a candle or cigarette lighter over your head at rock concerts began at a Melanie show? 
Melanie: “Most people don’t know that it was me.” Now you’ve got an application on your Smartphone that displays a candle (Laughing). The first time people ever lit candles was at a Melanie concert. Because those people would show me that they were there. This was even before the song “Candles in the Rain” and before it was on a record. So people would come with lighters, matches, and candles, and that was the signal that we were there at Woodstock. The place lit-up like fireflies. Then I would usually sing one of the songs I did in that set. When the record came out it became concert behavioral and what you do at a concert. Fire Marshalls actually tried to prevent me from singing “Candles in the Rain.” I tried to tell people not to light candles but it never worked. After Woodstock, I became a festival queen. I did everything … Isle of Wight, Glastonbury etc. In the state of New Jersey, the night before I was supposed to appear at an outdoor venue, usually owned by a bank, the Governor closed me down because they said I constituted a festival and festivals were illegal in New Jersey. So I wasn’t allowed to perform there.”
Ray Shasho: So “Candles in the Rain” was definitely written about your Woodstock experience?
Melanie: “Yes, I left the field with that “Candles in the Rain” anthem part in my head. I was a phenomenon; I didn’t last as long as The Rolling Stone, and again I didn’t play the music industry game, but I did have three records in the top ten at the same time. At one point, there wasn’t a person who didn’t know who I was. But I never wanted to take it to the next level. I may have also been on the list. I was not the angry protestor type, I wasn’t right or left, I had a humanist point of view that neither side would be real happy with. It was not pinning one side against another type of philosophy. Pro peace as oppose to anti-war and I don’t think that was a very popular posture and I got away with obscurity.”
Ray Shasho: I have always been a firm believer that musicians and actors should not come out and rant and rave for political parties. I think it ruins their demeanor as an artist and becomes hypocritical to what their writing and singing about.
Melanie: ‘I’m in total agreement. My job is to not tell people about what I think. I’m not running for office so you don’t need to know what I think, you just need to hear my music.”
Ray Shasho: Your music career took off after Woodstock?
Melanie: Woodstock was a catalyst for my career. From that moment on I was delivered to panel talk shows on the significance of Woodstock and I wasn’t well equipped to speak. I was very shy and wasn’t savvy in interviews and how to get out of a hairy situation. No experience just being thrown on these shows. Dick Cavett hated me. He must have gone to the hate Melanie school. He was just so ungracious. I was never loved by intellectuals, I’m entirely too cute.”
Ray Shasho: Melanie, I’m in the process of writing my second book entitled ‘When Heroes Become Voices’ which will feature ‘101 candid interviews with the greatest music legends of our time’ and you’ll be in it by the way. But the introduction will be talking about the state of the music industry and how it has especially affected the music legends. It’s like one day, somebody decided to pull the plug on our heroes in the mainstream …and I’m not talking about playing oldies.
Melanie: “This is what I remember happening when the 80’s occurred and clubs were opening based on a particular drug. The radio wall came down and it was unbelievable. I said in an interview that it was like a decisive battle and we lost. But nobody knows where and when it happened. But it did. A wall came down. That saying don’t trust anybody over thirty became a fact. Then it was don’t sign anybody over thirty and it became a doctrine between all the major record labels. It had nothing to do with the value of a young mind; it had more to do with an old person and philosophical attitudes and swaying people. They didn’t want anybody up there that could sway anybody’s opinion. Youth culture had done politically what they wanted to do and the manipulation began. Music is so powerful and so healing and that is what it was meant for.”

“But I really do believe that we are poised for the next great event. If it doesn’t happen we’re headed for supreme dark ages. But I can sense that something big and wonderful is going to happen and I want to be there.”
Ray Shasho: Melanie, are your children musicians?
Melanie: “My son is a musician and he’s amazing. There’s a track on Ever Since You Never Heard of Me which is the instrumental we wrote and did that one when he was 16. We put that on the album because it was so pretty and it kind of blended with the other songs. But he’s been writing with me and he plays his guitar. My two daughters also sing. One sings out in Phoenix, Arizona and she may be moving to Hawaii. The other one is a songwriter in Nashville.”
Ray Shasho: What was the origin behind “What Have They Done To My Song Ma”?
Melanie: “It was quite literal. I walked into the recording studio and my husband was consumed by the hits. We were so different, like day and night. It was probably why we were married for forty years. He’d hear a song and wanted to go make it a hit. I walked into the studio and was overwhelmed. I don’t read music and didn’t know how to talk in music terms to musicians, to communicate what I wanted. Peter could communicate with them and go at it his way. I don’t know what song it was but I knew it was being taken in a direction that I wasn’t thrilled about, and it was look what they’ve done to my song. It was literal, and again it could be an analogy to anything.”

“The New Seekers did it very much like my version, so I wasn’t thrilled about that. It wasn’t as exciting as when Ray Charles did it. He remade it as his own song. I thought, hey, I’m a writer! I never really thought of myself as a writer, just a singer. They didn’t have that term singer/songwriter .They used to call me the female Bob Dylan because he wrote songs and sang them. Most people didn’t know that I wrote the songs that I sang.”
Ray Shasho: You sang the French verse on the song perfectly. I always wondered if you spoke French fluently.
Melanie: “I had spent time in France. It sounded to me when I wrote the song that it had to have a French word, it sounded chanteuse. I speak menu French but that’s about it. I did take French in high school. We worked with these translators and tried to get a meaning that was at least similar.”
Ray Shasho: Melanie, what was your experience with Rolling Stone magazine?
Melanie: “Rolling Stone waged war against Buddah Records and unfortunately I was on Buddah Records. They absolutely massacred me! They said on the review of “Candles in the Rain,” the chorus was really good but when my voice came in it was kind of like a pencil scratch. But they always waged war with me. They never mentioned that I wrote the song or sung it with an all black gospel choir with one white girl, which was a pretty phenomenal thing for that particular moment in time.”
Ray Shasho: I don’t give bad reviews. If I receive a CD in the mail that I don’t like, I simply won’t talk about it. Why should I humiliate someone’s craft publically? So all my music reviews have been very favorable.
Melanie: “Well you would be fired from Rolling Stone because there was a girl that wrote for Rolling Stone that made too many good reviews and she got fired.”
Ray Shasho: Do you own all the rights to your music?
Melanie: “I don’t own my songs and the rights to my songs; I don’t own my performances, I don’t own my performance royalties and have been sold down the river. I receive not one penny from any song. I didn’t know my writers share was sold. Peter did everything. He was a wild and crazy eastern European gambling type person. I think he gambled my writers royalties, writers share and apparently at the moment stuck a piece of paper under my nose and I never read the piece of paper and I signed it. That was the end of that. I didn’t know I was signing away my writers share.”
Ray Shasho: Unfortunately I’ve heard a lot of similar horror stories.
Melanie: “This was a very odd story because we were married. I called ASCAP seeking their help and advice and they were very uncooperative. But I keep writing songs and it will be a matter of moments when somebody puts one in a movie or a commercial and then I’ll be able to survive.”
Ray Shasho: Melanie, thank you so much for being on the call today, you are such a delight to chat with. And thank you for all the beautiful music that you’ve given us and continue to bring. We’ll see you on November 22nd at the Carrollwood Cultural Center in Tampa, Florida.
Melanie: “Thank you Ray we’ll see you in November!”

Melanie will be performing on November 22nd at 8:00 p.m. at the Carrollwood Cultural Center (Main Theatre) in Tampa, Florida. For tickets visit here or call 813-269-1310.

JUST ADDED ... Melanie will also be performing on Saturday November 23rd at the Fogartyville Community Media and Arts Center in Sarasota, Florida. For tickets visit here or call 941-894-6469.

Melanie Safka official website at www.melaniesafka.com
Melanie Safka on Facebook
Melanie Safka on Twitter
Melanie Safka on Myspace

Purchase Melanie’s latest release Ever Since You Never Heard of Me at amazon.com

Very special thanks to Beau Schekeryk and Kim Reilly of SeaSide Music Management

Coming up NEXT… Recent interviews with Roy Rogers , Corky Laing (Mountain)
and Cherie Currie (The Runaways)

Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray so he can continue to bring you quality classic rock music reporting. 
“Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column on examiner.com. It’s a wonderful read for everyone!” stillerb47@gmail.com

© Copyright rayshasho.com. All Rights Reserved

‘Melanie’ Safka Exclusive: “My Mother Drove Me To Woodstock” (Part 1)

By Ray Shasho

(Part 1) of a (2 part) Exclusive Interview:

Melanie Safka (Melanie) was once hailed as the female Bob Dylan. Her awe-inspiring lyrical connotations were accompanied by her majestic voice and an acoustic guitar. She was a lone entity onstage but radiated a powerful force that became the voice and spirit to one of the most important generations the world will ever know.
When I asked Melanie how she developed her unique and sensational singing style she said …

“I went out to imitate Billie Holiday and Edith Piaf and got it wrong.”

 Melanie was born in Queens, New York to a Russian-Ukrainian Father and an Italian Mother. Her musical career began in Greenwich Village and eventfully landed her first recording contract with Columbia Records. She released several singles on the label but retained greater success after signing with Buddah Records.

Her debut album Born to Be (1968) was acclaimed for her independent music styles. It became clear that there was an exciting new singer on the block. In 1969, the single “Bobo’s Party” a track from her debut album reached #1 in France. Her second studio release Affectionately Melanie (1969) spawned the single “Beautiful People,” the song became a Top 10 hit in the Netherlands.

 Melanie’s songs began gaining momentum but she was still, for the most part, considered an unknown to the U.S. music scene until August 15th 1969. Melanie was invited to perform at the Woodstock Music and Art Fair held on a dairy farm in Brethel, New York. Her mother drove her to the event. She had been clueless to the size and significance of the concert until she witnessed Sly Stone walking around and Janis Joplin sipping Southern Comfort while being interviewed by reporters. After arriving at the hotel she was separated from her mother and rushed onto a helicopter. While descending towards the stage area, she was in total disbelief over the mass of people attending the three-day event. Melanie shared a tent with folk musician and composer Tim Hardin while she awaited her turn to perform at the most famous concert event in music history.

Several hours later, she was called upon to perform after Ravi Shankar’s set. Melanie was terrified … a lone woman performer with a guitar in front of a half a million people. Without a setlist to guide her, she opened with “Close to It All” followed by “Momma Momma,” “Beautiful People,” “Animal Crackers,” “Mr. Tambourine Man,” “Tuning My Guitar,” and concluded with “Birthday of the Sun,” a song she chose simply because it was raining.
 
Before and during her performance, concert organizers had distributed candles throughout the crowd. The lit candles during her performance while it rained inspired her profound composition, “(Lay Down) Candles in The Rain” (1970 #6 Billboard Hot 100 singles chart). She also inspired the etiquette of raising candles and cigarette lighters at concerts while portraying an audience of fireflies.

After Woodstock, Melanie became the concert festival queen, performing at such outdoor events as The Isle of Wight, Strawberry fields Festival and Glastonbury Festival. She was also asked to perform on numerous Television programs including Dick Cavett, Ed Sullivan and Johnny Carson.

“(Lay Dow) Candles in The Rain” was followed by “Peace Will Come (According to Plan)” (#32 Hit),” and her Rolling Stones cover, “Ruby Tuesday” (#52 Hit).
 
Melanie and husband/ producer Peter Schekeryk formed their own record label called Neighborhood Records in 1971.
Also in 1971, Melanie landed her biggest commercial hit entitled, “Brand New Key” (#1 Billboard Hot 100 singles chart). A song inspired after a stop at a McDonalds fast food restaurant.

Melanie also released “What Have They Done to My Song Ma’” which was also covered by The New Seekers and Ray Charles. The New Seekers also covered “Beautiful People” and “Nickel Song” composed by Melanie.

Melanie set a record for the first female performer to land three simultaneous Top 40 hits … “Brand New Key,” “Ring the Living Bell” and “Nickel Song.”

Melanie was awarded Billboard’s #1 Top Female Vocalist for 1972. She also became a UNISEF Ambassador that same year.

In 1973, Melanie spawned the hit “Bitter Bad” (#36 Billboard Hot 100 singles hit).

In 1989, she won an Emmy Award for writing the lyrics to “The First Time I Loved Forever” the theme song for the TV series 'Beauty and The Beast.'

Melanie’s songs have been covered by countless musicians over the years.

Her latest album is entitled … Ever Since You Never Heard of Me (2010)

She has sold more than 80- million records to date.

Melanie will be performing on November 22nd at 8:00 p.m. at the Carrollwood Cultural Center (Main Theatre) in Tampa, Florida. For tickets visit here or call 813-269-1310.

I had the incredible opportunity to interview Melanie Safka in a (Two-Part) exclusive interview.

Here’s ‘PART 1’ of my interview with singer, songwriter, musician, Woodstock and 70’s legend … MELANIE.
Ray Shasho: Hi Melanie thank you for being on the call today.
Melanie: “Hi Ray, it’s my pleasure.”
Ray Shasho: I noticed your cell phone number had a Pinellas County area code, but you live in Nashville?
Melanie: “That was my husband’s phone; he passed away a few years ago. We had a second home in Florida which doesn’t exist right now but I kept that phone number. We lived in Safety Harbor. It was like this little cove that no one knew about. Then they started building more houses so we moved out and travelled across the bridge and decided to live in this beautiful old house in downtown Clearwater. Then we decided to move from there to Nashville.”

“Probably the longest I’ve lived anywhere was on the west coast of Florida. It was really nice and I liked it a lot. The west coast of Florida seemed like an authentic place, but now it’s been developed liked everywhere else and not as wonderful as it once was.”
Ray Shasho: Your most recent album is entitled … Ever Since You Never Heard of Me (2010) and feature’s a track called, "I Tried to Die Young."Talk about that song?
Melanie: “I love irony and playing with words and “I Tried to Die Young” … yes, I was a very self -destructive person in my youth. Not in the ways of 60’s youth culture, I wasn’t a druggie and didn’t abuse myself in those ways. I did crazy things that could’ve been risky and I didn’t play the music business game very well. My husband would always cringe when I said certain things. He was the one that got me out there; I never would have done this. I would have been a potter in North Carolina. I was an introvert and hated being recognized or being seen, he pushed me out there. I love making the music and knew what it was that I had to do but all that in- between stuff wasn’t my thing.”
Ray Shasho: I’ve witnessed your musical influence and style in so many women artists over the years … Stevie Nicks is one good example.
Melanie: “Stevie Nicks, Cyndi Lauper …Joanna Newsom.” She set a whole other trend for that super breathy thing that engineers can’t get microphones far enough down somebody’s throat. I feel like I need to apologize for it … it just took over.”
Ray Shasho: Melanie, you’ve always had such a beautiful voice, incredibly attractive, and thousands of guys fell in love with you.
Melanie: “I was so shy and always felt ugly and never ever felt like I was pretty. I look at my photos now and say, what was I thinking? I felt fat, ugly and my nose wasn’t right and didn’t see anything that would attract anybody. I was married and my husband always told me that I was gorgeous but I thought that was just him.”
Ray Shasho: I must have been extremely naïve growing up because I never got the sexual innuendo implied by the press about your classic number one hit “Brand New Key.”
Melanie: “I never thought of it … it just came right from the top of my head. But I do often write beyond my intellect. I think art is not about how clever you can be. It has become valuable in the world of art … especially when you’re promoting. If you can articulate about what you’ve done, a lot of people can read that into what you’ve done and it makes what you’ve done that more valuable. I’ve never been a great articulator; I just do the music part.”

“Of course I can see it symbolically with the key, but I just thought of roller skating. I was fasting with a twenty seven day fast on water. I broke the fast and went back to my life living in New Jersey and we were going to a flea market around six in the morning. On the way back …and I had just broken the fast, from the flea market, we passed a McDonalds and the aroma hit me, and I had been a vegetarian before the fast. So we pulled into the McDonalds and I got the whole works … the burger, the shake and the fries … and no sooner after I finished that last bite of my burger …that song was in my head. The aroma brought back memories of roller skating and learning to ride a bike and the vision of my dad holding the back fender of the tire. And me saying to my dad …“You’re holding, you’re holding, you’re holding, right? Then I’d look back and he wasn’t holding and I’d fall. So that whole thing came back to me and came out in this song. So it was not a deliberate or intentional sexual innuendo.”
Ray Shasho: Did you think the song would become as popular as it did after you wrote it?
Melanie: “No. I did it as a little ditty. It was my husband the producer who was always looking for the hits. I was mortified when I saw what he was doing; he was going to make this record a hit. At first I became reactionary to that song because it was all anyone wanted to know about. They didn’t remember Melanie with the all black choir singing “Candles in the Wind,” they didn’t remember “Beautiful People” or anything else. It was all about “Brand New Key.” People kept saying …when are you going to come up with another one of those? I guess next time I go on another twenty seven day fast. I have eaten at McDonalds with hopes it would turn on but it never did. That unique combination just never happened again.”
Ray Shasho: I told Tom Rush in an interview I did with him and it also applies to you …there is nothing like watching a lone musician up onstage with a guitar, a song, and a story.
Melanie: “Oh God yea. Over the years every major label wanted to superimpose my voice on what they thought was the next commercial hit. Clive Davis said put down your guitar down and be the 80’s woman …and I didn’t take that job (All laughing). Melissa Manchester did, I always wondered about that, it was the strangest transformation. She was a singer and songwriter … earthy, sat down at the piano, sang and wrote songs, and all of a sudden she got this Clive Davis hit and it was like a Las Vegas type act. So I made some very expensive decisions in my life. It’s hard enough to get up night after night and do what you love, but to get up and do something that you didn’t love would be absolutely horrendous.”
Ray Shasho: Who were some of your early musical influences growing up?
Melanie: “Billie Holiday, Peggy Lee … Brenda Lee was a big influence in my teens and I loved her voice. I sang a couple of Brenda Lee songs that were real pop hits and then I discovered Edith Piaf. I loved Joan Baez but couldn’t have that pure little voice that she had, it was so beautiful, I tried but it just didn’t come out that way. I went out to imitate Billie Holiday and Edith Piaf and got it wrong …I guess that’s where my style came from.”
Ray Shasho: Melanie, what is your perception of performing at Woodstock?
Melanie: “It was many things … it was the experience that I shared with 500,000 people, or seemed like at least that many. I was pretty much an unknown person; I had one record “Beautiful People” that was being played on WNEW FM at most, it hadn’t hit college radio stations or underground stations in America. I had been played a bit by pirate stations in the Netherlands and John Peel in England. Other than that, most people didn’t know who Melanie was. I hadn’t been on television yet and never performed for more than 500 people before.”

“I was in England and had been asked to do a film score and been working in the studio right next door to where The Rolling Stones were. I had the London Symphony Orchestra in the studio with me and my husband was the producer and I was deciding whether I should go back and do this Woodstock thing. I had pictured …three days of peace, love, and music was going to be more like a picnic with kids, families, arts and crafts, and going shopping … I had no clue!”

“My mother drove me to Woodstock. We went to the wrong place and then finally found the hotel and I was all by myself with my mom. So we got to the hotel and there’s Sly Stone walking by. Then surrounded by media was Janet Joplin drinking Southern Comfort and all of a sudden, now I know this was something really big. That traffic wasn’t just an accident ahead it was something really-really big and I was going to have to sing in front of it.”

“We were told that we needed to go in a helicopter. I had never been in a helicopter before so I asked why can’t we just drive like everyone else. So we get into the helicopter and they stop my mother … they asked who is she and I said it’s my mother. They said no mothers, just the performers and mangers. I didn’t even have the smarts to say oh yea she’s my manager (All laughing). I said bye mom and we were separated.”

“So I went off in the helicopter and then began descending onto a field. I looked out the window and asked the pilot what is that? He said it was the people. Then he pointed to the stage and it looked like a football field. I thought … I’m going to die, get me out of here!”

“Once we landed I was led to a little tent. There was an upper echelon tent and then the miscellaneous people. I was put in a tiny tent with Tim Hardin who was way more known than I was. Richie Havens was onstage singing and I knew he was terrified because I think he was in his twentieth minute of “Freedom.” I started thinking …oh my God, how can I possibly do this? I wouldn’t be able to get up in front of all those people and not a possibility. They kept coming in between acts and saying …you’re next… you’re next! I developed this deep bronchial nervous cough and it just sounded like the demons were coming out of me. Joan Baez who was in the upper echelon tent heard me coughing and sent me tea. I thought Joan Baez … oh my God! She was my idol. Her sending me the tea was my Woodstock moment.”

“Hours and hours later … it started to rain and the other side was just beginning to light up with candles that Hog Farm was passing out. Right before I went on the announcer made kind of an inspirational message about the lighting of the candles and keeping the light alive. I really thought when it started to rain everybody was going to pack up and go home. I thought it was going to be my reprieve and I was going to be saved. Every ounce of me was praying that I didn’t have to do this. I thought … if there is a God, prove it, I have to get out of here! (All laughing) I was one girl with a guitar and an unknown one at that, and I’m going to be thrown on the stage! Right after Ravi Shankar and the announcement, I was called.”

"Woodstock was a life changing experience. I really sensed a connectedness with the people. I felt a positive wave and human power throwing into me and can never forget that. The people who will ever experience that … and I think Richie was one and really felt that too. There were so few that didn’t come away from Woodstock with a very cynical attitude. I didn’t have that. It wasn’t a career move for me, I was just one person and didn’t have a point of reference and didn’t have a manager out there saying you got to do this or that. I was just me and I went out onstage and didn’t even know what I was going to do. I had no recollection of what I did out there. I did one song that I had never sung in front of people in my whole life … it was called “Birthday of the Sun.” I never sing it anymore; I sung it at Woodstock because it was raining and I just wrote it. (Laughing) I didn’t have it out on a record; I wasn’t promoting anything and didn’t have any other agenda except that I had to get through to these people, whatever it is, it was my defining moment. I didn’t know if they were going to stone me or throw tomatoes. Or this might be it, my last moment on this earth. And I came away from that with this glow of warm, beautiful, human energy and I was probably the only straight person at Woodstock.”

“I had an out of body experience when I walked out on that stage. I left my body. I didn’t hear a thing; I wasn’t there and was hovering above my body and at some moment felt one with myself again. It was the extraordinary circumstance that I was put in."

Melanie will be performing on November 22nd at 8:00 p.m. at the Carrollwood Cultural Center (Main Theatre) in Tampa, Florida. For tickets visit here or call 813-269-1310.

Melanie Safka official website at www.melaniesafka.com
Melanie Safka on Facebook
Melanie Safka on Twitter
Melanie Safka on Myspace
Purchase Melanie’s latest release Ever Since You Never Heard of Me at amazon.com

Very special thanks to Beau Schekeryk and Kim Reilly of SeaSide Music Management

Contact Classic Rock Music Journalist Ray Shasho at rockraymond.shasho@gmail.com

Coming up NEXT… 'Melanie' Safka exclusive: “My mother drove me to Woodstock” (Part 2)

Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray so he can continue to bring you quality classic rock music reporting. 

 “Check the Gs is just a really cool story ... and it’s real. I’d like to see the kid on the front cover telling his story in a motion picture, TV sitcom or animated series. The characters in the story definitely jump out of the book and come to life. Very funny and scary moments throughout the story and I just love the way Ray timeline’s historical events during his lifetime. Ray’s love of rock music was evident throughout the book and it generates extra enthusiasm when I read his on-line classic rock music column on examiner.com. It’s a wonderful read for everyone!” -stillerb47@gmail.com

© Copyright rayshasho.com. All Rights Reserved