LEGENDARY LEAD SINGER,SONGWRITER AND MUSICIAN FOR 'THE YOUNGBLOODS'
Jesse Colin Young, critically
acclaimed solo artist and lead singer of the legendary classic rock band, The
Youngbloods, took the nation by storm when The Youngblood's single “Get
Together” became a worldwide Top 10 hit and a prominent soundtrack for
peace.
After seven group releases, Young began the production of more than 15
acclaimed solo albums including Song for Juli, Light
Shine, Songbird and a live album with his great touring band
titled On the Road. In 2005 he released the most comprehensive collection
of his music to date—The Very Best of Jesse Colin Young. For the first-time
ever, songs from his solo career as well as hits from The Youngbloods were
placed in two CD package.
In 2014 Jesse became interested
in the Saratoga warhorse project for Veterans and made a DVD in support of that
organization called Out of the Darkness. It is available on iTunes, Amazon,
Google and DVD on his website.
In 2012 Jesse was diagnosed with
Lyme Disease and was unable to tour. In that time he created the Couch Series
with Labrador on YouTube. He performed a variety of songs new and old, solo
acoustic or with friends, and always with his famous silver Lab, Django. It was
a way to still reach his audience without traveling due to the complications of
Lyme Disease.
Jesse's musical accomplishments
are many, including performing with Led Zeppelin, The Grateful Dead and Janis
Joplin in 1969, touring with Crosby, Stills, Nash & Young in the summer of
1974 and performing with Billy Joel, the Doobie Brothers and the Beach Boys.
Jesse has also shared the stage with comics like Martin Mull. Other
performances include going to the prisons of South Dakota and Minnesota to sing
for American Indians rights with actor and musician Floyd Westerman.
As a member of the Youngbloods,
in 1969 they were the only band to walk off the Johnny Carson show which was
the definitive gateway to superstardom. The Story is worth a listen.
The Youngblood’s version of “Get
Together” has been heard by millions from the Forrest Gump soundtrack in 1994,
Cats and Dogs: Revenge of Kitty Galore, Fear and Loathing in Los Vegas,The Simpsons Oh Brother where Bart
thouandTree of Horror II, and South
Park’sSmug Alert.Get Together commercialsinclude The Pepsi commercial for the
1995 Super Bowl, the Luv's commercial in 2010 and Kentucky Fried Chicken in
2014.
Darkness Darkness, written by Jesse, was
in Jack the Bear (1993), was the theme song for the James Cameron movie Ghosts
of the Abyss in 2003 and was in the trailer of TV series Bloodline (2015). A
cover of the song by Robert Plant won the Grammy for Best Rock Vocal in 2002.
It remains a popular cover song for many bands.
2016 and 2017 will be productive times for Jesse.
Starting Sept 16, 2016 he will begin the re-release of his 1970’s LP catalogue
starting withSong For Julion Audio Fidelity. Jesse is currently
working on a collection of new recordings to be released in 2017 and will plan
a tour in the fall.
Throughout his professional life of recording and
touring, Jesse has always taken the time to dedicate his life to giving back to
the world. He has performed on behalf of organizations ranging from the Dream
Foundation and Saratoga Warhorse, to Prep Fest and the Kona Pacific Waldorf
School, now the Kona Pacific Charter School. Holding environmental
accountability, Veteran support and quality education as a moral code of
action, Jesse remains committed and active as an individual and performer.
'The Youngbloods' were a psychedelic-folk rock band
that mellowed millions across the globe with their musical directive for
peace and brotherhood entitled “Get Together.” The song was penned by singer-songwriter Chet Powers (Dino Valenti/Quicksilver Messenger Service) and monumentally performed by Jesse Colin Young (vocals, bass, guitar), Jerry Corbitt (vocals, lead guitar), Lowell Levinger known as “Banana” (electric piano, guitar), and Joe Bauer (drums).
The group’s first two releases ‘The Youngbloods’ and ‘Earth Music’ were produced by Felix Pappalardi (Cream/Mountain). After the success of “Get Together” (1967) the band moved to San Francisco during the ‘Summer of Love,’ an ambience conforming to their lifestyles. Their debut album also generated a minor hit with “Grizzly Bear” (1967) written by Jerry Corbitt.
The Youngbloods attained greater success after “Get Together”
was reissued in (1969), peaking at #5 on the Billboard’s Hot 100. After
co-founder Jerry Corbitt left the band, Jesse became the principal
songwriter. The Youngbloods third studio release ‘Elephant Mountain’ spawned the Jesse Colin Young penned classics … “Darkness Darkness” and “Sunlight.”
In 1979, Jesse closed the ‘No Nukes’ concert and movie along with Jackson Browne, Stephen Stills, and Graham Nash, while performing The Youngbloods classic hit “Get Together.”
In October of 1995, the Mount Vision fire destroyed Jesse Colin
Young’s home in Inverness Park, California. Over 12,000 acres burned
over 4 days destroying 48 hillside homes and incurring 20-million
dollars in damage, including Jesse’s Point Reyes ridgetop home in the
hills overlooking Tomales Bay. Everything was destroyed except for his
recording studio.
Jesse Colin Young has performed with Led Zeppelin, The Grateful Dead, Janis Joplin and Crosby, Stills, Nash and Young to name just a few.
In 2003, legendary Led Zeppelin frontman Robert Plant won the Grammy for ‘Best Rock Vocal’ for his cover version of “Darkness Darkness” penned by Young.
Jesse Colin Young currently lives in Aiken, South Carolina and is recording tracks for a brand new album that will feature Julliard pianist Donald Vega
and Jesse’s son Tristan. Watch for a possible release in 2015. Jesse
and his wife Connie also perpetuate a Certified Organic Farm entitled ‘Jesse’s Kona Coffee’ located in the Kona district of Hawaii.
I had the incredible pleasure of chatting with Jesse Colin Young recently about … His struggles with Lyme disease….
The Youngbloods … The inception of “Get Together” …The passing of his
best friend Jerry Corbitt … Supporting our Vets … Jesse’s sons in the
music business … Jesse’s new album … Walking off the ‘Tonight Show with
Johnny Carson’ … My infamous ‘Field of Dreams’ wish question and
much-much more!
Here’s my recent interview with legendary folk-rock/
singer/songwriter/multi-instrumentalist/ founding member & lead
vocalist with ‘The Youngbloods’ and accomplished solo artist … JESSE COLIN YOUNG. Ray Shasho: Hey Jesse, how’s it going man, you’re in the studio? Jesse Colin Young:“Yes I am. I like to have a
studio either in the house or next to the house. I built my first one in
California around 1972. The house burnt down in 1995 but the studio was
down in a gulley that was really wet. The forest was just smoldering
stumps and my four story house was gone but the studio survived. My
godson works in there now with my son Cheyenne Young in a band called
‘Beso Negro,’ it’s like a gypsy jazz/rock band; they have a good
following in the Bay area. They’ve got two really strong guitar players
and singers. My godson Ethan Turner is the drummer and my son plays
bass, Cheyenne plays upright electric and wash-tub bass; they both grew
up together and are about two years apart. My youngest son who is just
taking a break from Berklee College of Music is here working on a record
with me. So yea, two bass players, I did play bass when I was in The
Youngbloods but only because I had to. I really didn’t know how, we had
two guitar players and we couldn’t get Felix Pappalardi to join the
band. I don’t think the band was heavy enough though for Felix. So I
turned into a bass player. It must be in the genes because I have two
sons and a daughter that plays bass.” Ray Shasho: Jesse, let’s talk about your personal plight with Lyme disease? Jesse Colin Young: “The chronic Lyme sufferers of
which I am one, and I would say most of the people in this country who
have it are undiagnosed. The official international infectious disease
doctors in the United States have taken the position that there is no
chronic Lyme disease and that the treatment is three weeks of
Doxycycline …and that’s it! There are those of us who have had it for
years or even decades. Many of whom are really suffering and are
confined to wheel chairs. Lyme disease sufferers are not getting the
treatment they need. Like me, they may need a year of antibiotics and
not three weeks. If they’ve had it like I did, probably for a couple of
decades before it was diagnosed. It took a year of five antibiotics,
some of them were antimalarial drugs, and that’s a lot different than
three weeks. And that really helped to bring back my sanity and physical
health.” Ray Shasho: I believe you had told me earlier that you couldn’t completely rid yourself of the disease? Jesse Colin Young:“That’s true … I mean that’s my
truth. Dr. Richard Horowitz is leading the charge right now in New York
State; but it’s so hard to find a doctor who specializes in Lyme
disease. The blood tests are not very accurate and it also depends on
the lab you send them to. A doctor actually has to listen to every
symptom you have and that takes time … most doctors don’t have it, what
do they put aside for a visit ten-fifteen minutes? We had a Lyme doctor
here in South Carolina and they suspended his license, and this happens
all over the country. They do that because he’s prescribing long-term
aggressive and expensive treatment. One of my antibiotics cost six
hundred bucks with insurance. That was an important one for a
co-infection, when you’re bitten by the tick you just don’t get Lyme’s,
you get other diseases with it, and you’ve kind of got to fight them all
at the same time.”
“So right now… the New York legislator has passed a bill that kind of
forbids whatever the oversight organization is in the state that is
persecuting the Lyme doctors. It forbids them to do this. There’s a
great push at the moment to get this bill on the floor of the senate.
I’m not a New York state resident but I’m going to write a letter and
let my voice be heard. My doctor … Dr. Richard Horowitz is in New York
State and he brought this to the floor. His book that came out this past
year is called ‘Why Can’t I Get Better?’ and is a
definitive work on chronic Lyme, which the AMA says does not exist. I
think Richard has had around Fifteen Thousand patients in upstate New
York. He kind of wandered into a hotbed right out of medical school, so
many of his patients had Lyme disease so he became a specialist. He’s
been a great help for so many of us. Many lives and families have been
destroyed by this disease. It not only makes you hurt, but it makes you
crazy.” Ray Shasho: What were some of your early symptoms that told you something was wrong? Jesse Colin Young: “We had moved to Hawaii in 1995
after our house burnt down in California, and we had lost everything
except the studio. So when I started to get kind of crazy and have
anxiety and depression in that first year in Hawaii, my therapist said
maybe you’d better take some medication for the anxiety and depression,
so they put me on some antidepressants and nobody even thought about
Lyme disease. So I took the medications until I moved here to South
Carolina, and to my wife’s hometown. She went to a family funeral in
Ohio and she came back with this pamphlet from one of her cousins who
was an Internist working with ILADS (International Lyme And Associated
Diseases Society). The pamphlet ended up in the kitchen and I opened it
up one day and started reading all the symptoms and thought … Good God,
this sounds like my biography … maybe I have Lyme disease? And here I
had my wife’s cousin who was working at ILADS. I called her up and asked
who should I see and she said Dr. Richard Horowitz. So I flew up to New
York and was diagnosed with Lyme’s. Richard put me on heavy antibiotics
and began to get my brain back, my thinking, and a lessening of all
those anxiety and panic attacks. It was like getting my life back.”
“After I had been treated it did not show up in a Western blot which
is a common blood test for Lyme disease. Mine did not show up positive
until I had my first month of antibiotics. My first Western blot showed
up negative. It was so small that one of my doctors said it was negative
and not positive … and that’s one of the problems with diagnosing
Lyme’s. Dr. Horowitz sat me down for a couple of hours and listened to
my whole story. I really never talked about this in an interview before,
but I think it’s really important because there are people out there
who are suffering and have no idea why.” Ray Shasho: Talk about the inception of your company Ridgetop Music. Jesse Colin Young: “I had not been paying attention
when everything went to CD’s and had not made my catalogue available on
CD in the early 90’s, so my wife Connie and I started Ridgetop Music to
remedy that and to also bring out the new music. We have a little place
in Hawaii that we bought on our honeymoon. We’d go there and I began
being influenced by Hawaiian music. I eventually made a couple of
albums, one called … ‘Swept Away’ (1994) and the other entitled ‘Living
in Paradise’ (2004).” Ray Shasho: Then you started Jesse's Kona Coffee? Jesse Colin Young:“We fell in love with the big
island; we’ve got a little farm there and it had a little house on it.
We bought that in 1987. Then when the house burned up in California,
Connie and I decided, we’ve got a house in Hawaii, at least we’ve got
somewhere to go. Most of the people that lost their homes didn’t have a
spare house, we were lucky. We found the Waldorf School ten minutes from
our house in Hawaii and that was very important to Connie and turned
out to be important to me. We became big supporters of Waldorf education
and actually helped build a K through 8th grade school that survives in
Kona to this day. Now it’s a Waldorf inspired school.” Ray Shasho: Jesse you’ve written so many beautiful songs …
your breathtaking composition “Sunlight” always comes to mind, which was
covered by Three Dog Night, and of course “Darkness Darkness.” Jesse Colin Young:“Actually I just got a check for
that and I built my studio with the Three Dog Night money. (Laughing)
“Sunlight” was the first song I wrote in California. I think I started
it during the spring that we played The Avalon. Someone took me out to
Muir Beach which is in Marin County just north of San Francisco. I fell
in love with Marin and began that song. I wrote “Darkness Darkness” in
New York. When I was in San Francisco, David Lindley was in a band and
spent a lot of time as an accompanist with Jackson Browne and is a
beautiful slide player and violinist. We played with him at the Avalon
once upon a time. The band had Oud players and it was the time for
people experimenting with all kinds of instruments and music. You could
turn on KSAN Radio and listen for 24 hours and never hear the same song …
it was wide open. National musicians like myself could listen to the
radio and learn all kinds of things because there was a lot of great
music going on back then. The beginnings of “Darkness Darkness” were
there from listening to KSAN Radio while I was in San Francisco and was
completed in New York. I spent one sleepless night thinking about my
friends who were in Viet Nam and how terrifying it must be. So much of
the fighting was done at night and “Darkness Darkness” came out of that
sleepless night. I tried to put myself in their shoes.” Ray Shasho: I chatted with Dave Mason who was absolutely overwhelmed when a Marinecame
up to him and said, “You know man, me and my buddy were stuck in a
foxhole for three days and we would have gone absolutely nuts if it
weren’t for a Jimi Hendrix tape and a Dave Mason tape. I’m assuming the
same can be said with “Get Together” and “Darkness Darkness”? Jesse Colin Young: “It was my privilege and pleasure
to find that out after the war. My support for the Vets still goes on.
Two weeks ago we initiated a program that started in Saratoga. It’s
called the ‘Saratoga WarHorse Foundation’ and is an amazing program. It
started in Saratoga because they’ve got a racetrack and racehorses that
nobody wants anymore. I believe they’re done racing at around three or
four years old. The founder Bob Nevins served in Viet Nam as a medevac
pilot for the 101st Airborne and learned that soldiers and horses
bonding together helped Veterans struggling with PTSD, sleeplessness or
suicidal thoughts. Bonding with the horse works like forgiveness. It’s
an incredible program and we help to fund the initiation of it here in
Aiken, South Carolina.” Ray Shasho: I grew up around the Washington D.C. area and
Jesse Colin Young was very much a concert mainstay on the D.C. music
scene … The Cellar Door, the Birchmere, Constitution Hall …etc. Jesse Colin Young:“Oh my God, yea, The Cellar Door.
I think the first gig that I played as a folk singer was at The Cellar
Door with a band called The Country Gentlemen, they’re called The Seldom
Scene today. We’d go down there and listen to them almost every night.
Right down the street was the Little Tavern between the Cellar Door and
the Shamrock Tavern. We’d go to the Little Tavern and listen to The
Beatles on their jukebox. They were just happening so that must have
been around 1963.” Ray Shasho: What were the early Greenwich Village days like? Jesse Colin Young: “The Youngbloods were at the Cafe
au Go Go. The Magicians, Tim Hardin, and The Lovin’ Spoonful would play
at Cafe Wha? … and then all kinds of other music… there was jazz next
door, although it was kind of a high ticket price so we never went
there, but it was really the same building as Cafe au Go Go. They’d have
acts like George Shearing and people like that playing there.”
“I first heard “Get Together” at the Cafe au Go Go. The Youngbloods
played there about a year and we opened for anyone that Howard Solomon
wanted us to open for; I think he paid us twenty bucks a piece. We
opened for Muddy Waters, Ian & Sylvia and… whoever, but we got to
rehearse and really put the band together there. Jerry Corbitt and I
were folk singers and we hadn’t been in a band since high school, and
there I was the bass player. We picked Joe Bauer a jazz drummer from
Memphis … Jerry was from Tifton, Georgia … Joe Bauer from Memphis … and
‘Banana’ (Lowell Levinger) and I both born in New York.”
“It was a Sunday afternoon and I had stopped in to the Cafe au Go Go
to see if anyone was rehearsing because The Blues Project had also
rehearsed there. I walked in and there was an open mike and a fellow
named Buzzy Linhart who had a quartet called the Seventh Suns, and he
was singing a song called “Get Together” and I was struck by it. This
was a song written by Dino Valenti (Chet Powers). I ran backstage and
said Buzzy write the lyrics out for me because I’ve got to sing it. I
must have memorized the melody but he wrote down the lyrics on a piece
of paper and I had watched him play it on guitar. But yea, that was a
momentous day for me. I took it into rehearsal for The Youngbloods the
next day. Most of the songs I had written myself, but I knew “Get
Together” was a game changer … a life changer for me.” Ray Shasho: “Ev’rybody get together, try and love one another right now” … Awe-inspiring lyrics that should be observed on a daily basis in today’s coldhearted and destructive world. Jesse Colin Young: “I don’t think the generations
who have come up in the last thirty years are as optimistic as we were.
And many of us may have been disillusioned by it and what happened. I
grew up in school first in Ohio and I felt like there was one guy who
understood where I came from politically and emotionally in a school of
25,000 people (laughing) … there was people from all over the country
who felt like outsiders. Then we went to play the Avalon Ballroom in May
of 1967. In New York we were kind of outsiders, discotheques were the
thing. I remember the first time we played with the Buffalo Springfield
was in a discotheque. Bands like The Rascals were more successful, they
wanted dance music. In May 1967, we walk into The Avalon Ballroom and
there were people with hair like ‘bananas’ … he just had a huge head of
hair, we didn’t see that a lot in New York, everyone in the audience,
even the females had hair like that(All laughing).”
“We checked into this cheap hotel down the street from the Avalon, I
put my bag down, turned on this radio that was built into the bed and it
was “Get Together” on the radio. We had no idea they were playing it.
We walked into the beginning of the ‘Summer of Love’ back in the spring
and all of a sudden half the people on the street were looking you in
the eye and realized we were a movement, not just a bunch of outsiders.
It was incredible, and then of course that spread.” Ray Shasho: Jesse, here’s a question that I ask everyone that
I interview. If you had a ‘Field of Dreams’ wish like the movie, to
play, sing or collaborate with anyone from the past or present, who
would that be? Jesse Colin Young:“Well, I just lost my best friend
Jerry Corbitt; we buried him down in Tifton, Georgia two months ago,
right next to his mom and dad, and that’s where he wanted to be. So I
think it would have to be Jerry, I’d love to sing with him again. Our
voices did something wonderful together. I remember years ago, Neil
Young turned out to be a neighbor on the big island and Neil tried to
encourage me to get The Youngbloods back together and said I want to
hear you and Corbitt sing together again …but it never happened.”
“We had plan for Jerry to come to Aiken, he’s a horse guy and this
town in South Carolina we live in is just full of horse people. So he
had planned to come here, and he was going to sit on the porch and pick,
just like it was in the folk days …that’s how we met. I was playing the
Club 47 and staying with somebody my manager new. Coming back from the
gig I got this message saying don’t go back to that house he’s been
arrested. So I ended up with Corbitt and that’s how we met. We’d sit on
his back porch at the Cambridge apartment and just played and played.
Corbitt was a great Ragtime picker and kind of introduced me to Ragtime.
I guess in the great beyond there’s a porch and Corbitt is up there
right now and that’s who I’d collaborate with.” Ray Shasho: You’re working on recording a brand new album? Jesse Colin Young: “It’s an album I started with a
Julliard pianist named Donald Vega. There’s a project called Julliard in
Aiken (Aiken, S.C. the town we live in). About ten years ago our
neighbors down the street called up Julliard and said that we’d like to
give you our mansion when we pass. They are Pulitzer Prize authors
Gregory White Smith and Steven Naifeh. They made this connection with
Julliard, that when they die, their house and foundation to support it
will become a part of Julliard. So the Julliard students started to come
here about six years ago. They would come down on spring break and we
created this ten day long festival in Aiken, South Carolina.”
“In our guest house we would host the jazz guys and a lot of piano
players would come down. Donald Vega would warm up on our piano and get
ready to go to a gig and I fell in love with his playing. A couple of
years ago, when I was still on the road, he played with me on the road
until his first jazz album came out, and it went to #1 on the jazz
charts. We had about twelve songs that we had recorded together, and he
just came down a few months ago to play a gig here, and I recorded
another five new songs with him. So we’ve got about 12 songs with Donald
on them and me playing electric guitar, and hopefully by the time we
head over to do our work on the Coffee farm, our son Tristan (Everybody
calls him ‘T’), who is in his last year at Berklee will be part of the
new record.”
“It’s not a jazz album but will be kind of jazzy. It’s a mixture of
new material and a few of my older songs that I’ve wanted to record with
a beautiful pianist … like a song called “Great Day,” and some of my
music is jazz inspired. The only station that I could get when I moved
to Point Reyes on my radio was a jazz station. So back in 1967, I
started listening to a lot of jazz. Up on top of the mountain, the only
FM station that would come in was KJAZZ. We’re not sure yet when it will
be released, hopefully by next year. I’m also not sure what we’re going
to call it yet, but it might be entitled ‘I Only Have Eyes For You’
because that’s one of the songs I fell in love with as a kid. It’s a
jazz standard but a big hit for The Flamingos in the 50’s, and that’s
when I fell in love with the song.” Ray Shasho: Jesse will you be going on the road anytime soon? Jesse Colin Young:“I don’t think so. Maybe when I
finish this album I’ll be so excited that I’ll want to. I quit about two
years ago because I wasn’t having any fun. I’ll have to somehow
deprogram myself from this perfectionism that has always plagued me and
been responsible for a lot of the music that I made. When I couldn’t get
an engineer out in the country I learned to do it myself. Many of my
records in the 70’s were self produced and self engineered. It’s got to
be fun for me now. I was pretty driven for those 50 years that I spent
on the road; I’ve been working on changing my attitude and learning to
relax, so that has to change.” Ray Shasho: You’re a huge fan of Lightnin’ Hopkins? Jesse Colin Young:“Absolutely! And I knew
Lightnin’. I’ve got four guys over my desk … Lightnin’ Hopkins (holding a
flask in his hand), John Hurt (who I was also privileged to know and
play with when I was very young), Pete Seeger (who I think was the
grandfather of the folk generation) Jerry Corbitt, and over in the
corner is my hero Yo-Yo Ma.” Ray Shasho: I wasn’t going to ask you about the Johnny Carson incident because you’ve repeated the story so many times … Jesse Colin Young: “Well, it was very simple, they
wanted us on the show (The Youngbloods) and called us, we had just
released ‘Elephant Mountain’ and we said sure we’ll play “Get Together”
but we also wanted to play a song from our new record. So that was the
deal and had their word that this would happen. We flew out from
California to New York. When we got there, their set was sort of a corny
psychedelic setup, and they didn’t have floor monitors. We fooled
around and did our soundcheck, and then the producer of the show came
over to talk with our manager who was there with us and said … “We
really don’t have time for two songs.” Our manager said that was the
deal you made with us and what brought us all the way here to do this. I
think he thought that he was so powerful that no one would walk off the
show. So Stuart our manager walked over to us and said what do you want
to do guys? We thought about it and said no, they have to keep their
word. I’m sure they were use to getting musicians in there with promises
and then saying ...play your hit and get out of here, and be grateful
that we even considered you. We were just not those kinds of people and
expected them to keep their word. So when they wouldn’t we just walked.
The whole idea was to make the record business and the TV business treat
musicians with respect. So it’s important for people to know that The
Youngbloods took a stand to be treated with respect, because musicians
traditionally have not been. When we were allowed to choose our own
producer on RCA Records … that was a huge step!” Ray Shasho: Jesse, thank you for being on the call today but
more importantly for all the incredible music with The Youngbloods and
as a solo artist that you’ve given us and continue to bring. Jesse Colin Young: “My pleasure Ray, thank you!”
'International Lyme And Associated Diseases Society' ILADS website
Purchase ‘Why Can’t I Get Better?’ by Dr. Richard Horowitz at amazon.com
Visit the Saratoga WarHorse Foundation
Jesse Colin Young official website
Jesse’s Blog
Jesse Colin Young on Facebook
Jesse Colin Young on Twitter
Jesse Colin Young on Myspace
Jesse's Kona Coffee official website
The Youngbloods last.fm website
Beso Negro (Jesse’s son and godson’s band) official website
Donald Vega official website Very special thanks to Eddie Camolli of ‘The Hungry Ear Agency’ Coming up NEXT … The pioneer of the ‘electric violin’ Darryl Way of ‘Curved Air,’ UP Coming … Don Wilson legendary guitarist and co-founder of ‘The Ventures,’ Keyboard extraordinaire Patrick Moraz (YES/The Moody Blues), folk rock singer & songwriter Jonathan Edwards (“Sunshine”) and Al Kooper (The Blues Project, Blood, Sweat & Tears, Bob Dylan …while responsible for the success of Lynyrd Skynyrd. Contact classic rock music journalist Ray Shasho at rockraymond.shasho@gmail.com Purchase Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com- Please support Ray by purchasing his book so he can continue to bring you quality classic rock music reporting. “Check the Gs is just a really cool story ... and it’s real. I’d
like to see the kid on the front cover telling his story in a motion
picture, TV sitcom or animated series. The characters in the story
definitely jump out of the book and come to life. Very funny and scary
moments throughout the story and I just love the way Ray timeline’s
historical events during his lifetime. Ray’s love of rock music was
evident throughout the book and it generates extra enthusiasm when I
read his on-line classic rock music column on examiner.com. It’s a
wonderful read for everyone!” …stillerb47@gmail.com
