The Doobie Brothers legendary guitarist, singer, and songwriter Patrick Simmons a few days before the 2011 Orlando Calling festival.
Pat Simmons was introduced to future Doobie Brothers bandmates Tom Johnston and John Hartman by Moby Grape’s Skip Spence in 1969 forming the foundation to what would eventually be one of the most esteemed classic rock bands in history.
Pat is usually identified as the Doobie Brother with the longest hair. His heartfelt vocal styles are significant to the band’s success. He’s an important musician with eclectic musical styles and tastes. Some of his many compositions with the band include the classic “Black Water” (which became their first number one hit) “South City Midnight Lady,” “Dependin’ On You,” “Dangerous,” “Echoes Of Love” and “Clear as the Driven Snow.”
His on-stage presence is both surreal and overwhelming during his solo of “Jesus Is Just Alright.”Here’s my interview with singer, songwriter, guitar virtuoso, and founding member of The Doobie Brothers … Patrick Simmons
Doobie Brothers official website http://www.doobiebros.com/
The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show.
The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan.
Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives.
The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music. The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.
I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.
The Doobie Brothers are one of those bands that we’ve depended on, year after year, and expect to see performing invariably at outdoor music festivals, pavilions, arenas, casinos and bike week events across the nation. The group has been exhilarating audiences for decades yet appear timeless onstage. One of the principal reasons for the longevity and success of the Doobie Brothers has a lot to do with an unmitigated affection shared between the band and its audience. It’s been an amazing love affair that has persevered for over forty-two years.
When the Doobie Brothers finally call it quits … rock ‘n’ roll will probably call it quits too. Tom Johnston is the voice, lyricist and guitarist on numerous classic hit recordings by the Doobie Brothers. Inspired by listening to R&B music on the radio, California native Johnston started his first band at 14, eventually broadening his musical horizons by singing with soul and blues groups. After moving to San Jose to finish college, Tom met Skip Spence, original drummer for the Jefferson Airplane. Spence introduced Johnston to drummer John Hartman.
Spence was also a founding member of Moby Grape which had a major influence on the Doobie Brothers. Tom Johnston, John Hartman and bassist Greg Murphy formed the power trio “Pud.” When “Pud” unraveled, the evolution of the Doobie Brothers began to take shape. While living in a home dubbed as their “musical headquarters,” guitarist Patrick Simmons and bassist Dave Shogren joined the group. The band quickly generated a huge following in California. In 1971, the Doobie Brothers launched their self- titled debut album, The Doobie Brothers on the Warner Brothers label with legendary producers Ted Templeman and Lenny Waronker.
The first track on the album, “Nobody” penned by Tom Johnston, would later resurface in 2010 on their latest release, World Gone Crazy. Their second studio album Toulouse Street (named for a street in the French Quarter of New Orleans) introduced new bassist Tiran Porter and second drummer Michael Hossack (Navy Veteran). The album spawned the Tom Johnston penned classic hits, “Listen to the Music” (#11 Top 100 Billboard Hit -1972), “Rockin’ Down the Highway” and “Jesus Is Just Alright,” (#35 Billboard Top 100 Hit -1973) written by Arthur Reynolds (1965) and performed by The Byrds (1969). In 1973, the Doobie Brothers released, The Captain and Me spotlighting some of the bands most memorable classic rock tunes penned by Tom Johnston … “Long Train Runnin’”(#8 Billboard Hot 100 Hit) and perhaps the bands anthem song, “China Grove” (#15 Billboard Hot 100 Hit). The Captain and Me also featured a guest performance by future Doobie Brothers and Steely Dan guitarist Jeff “Skunk” Baxter.
The Doobie Brothers fourth studio album, What Were Once Vices Are Now Habits released in 1974 spawned the Tom Johnston penned songs, “Another Park, Another Sunday” (#32 Billboard Hot 100 Hit) and “Eyes of Silver” (#52 Billboard Hot 100 Hit). The album also featured Pat Simmons penned tribute to “The Big Easy,” “Black Water” (#1 Billboard Hot 100 Hit -1975). Stampede released in 1975 was the final album before Michael McDonald took over lead vocalist duties from an ailing Tom Johnston. The album featured the cover version, “Take Me in Your Arms (Rock Me A Little While)” (#11 Billboard Hot 100 Hit -1975) written by the Motown team of Holland-Dozier-Holland. Subsequent albums …Takin’ It to the Streets (1976), Livin’ on the Fault Line (1977), Minute by Minute (1978) and One Step Closer (1980) featured a successful second incarnation of the band, which primarily consisted of Michael McDonald(vocals, keyboards) Patrick Simmons (guitars/vocals) Jeff “Skunk” Baxter (guitars, steel guitars), Tiran Porter(bass, vocals), John Hartman (drums) and Keith Knudsen (drums). *Tom Johnston played and sang “Turn It Loose” and “Wheels of Fortune” on the album Takin’ It to the Streets. John McFee was added to the Doobie Brothers lineup in 1979 replacing Jeff “Skunk” Baxter and was featured on One Step Closer. After a successful run, the band’s signature sound and direction became disillusioned.
While working on his solo project, Tom Johnston rejoined the band for a Farewell Tour, and then the Doobie Brothers would call it quits as a band for the next five years. The reformation of the Doobie Brothers was contrived when the band’s alumni were asked by drummer Keith Knudsen to perform at a concert to benefit veterans’ causes. The band discovered that tickets were in great demand and soon embarked on a twelve-city tour. In 1989, Cycles, the tenth studio recording by the Doobie Brothers, now on Capitol Records, witnessed the return of Tom Johnston and drummer Michael Hossack to the studio as a band. Tom Johnston’s distinctive vocals returned, and the band re-established their musical roots. Subsequent releases … Brotherhood (1991), Sibling Rivalry (2000) and World Gone Crazy (2010).
World Gone Crazy was the Doobie Brothers highest charting album since 1989 receiving rave reviews and featuring the longtime core lineup of Tom Johnston and Pat Simmons. The Doobie Brothers band functions like a well-oiled machine, touring consistently year after year and enchanting music enthusiasts worldwide. The current lineup of Tom Johnston (vocals/guitar), Pat Simmons (vocals/guitars), John McFee (guitar/strings/vocals), John Cowan (bass), Guy Allison (keyboards/vocals), Marc Russo (saxophones), Ed Toth (drums) and Tony Pia (drums)… represent a musical legacy that defines the quintessence of rock ‘n’ roll and a band that we’ve always depended on throughout the years.
The Doobie Brothers have sold more than 40-million albums worldwide.
The Doobie Brothers were inducted into the Rock and Roll Hall of Fame in 2020.
I had the great pleasure of speaking with Tom Johnston recently about the band’s current and future projects, family, and the future of rock ‘n’ roll. Here’s my interview with singer/songwriter/guitarist/and founding member of classic rock legends the Doobie Brothers … TOM JOHNSTON.
Aug 09 Bridgeport, CT Hartford Healthcare Amphitheater
Aug 10 Gilford, NH Bank NH Pavilion
Aug 12 Boston, MA Xfinity Center
Aug 13 Saratoga Springs, NY Saratoga Performing Arts Center
Aug 15 Detroit, MI Pine Knob Music Theatre
Aug 17 Noblesville, IN Ruoff Music Center
Aug 18 Cincinnati, OH Riverbend Music Center
Aug 20 Pittsburgh, PA The Pavilion at Star Lake
Aug 22 Cleveland, OH Blossom Music Center
Aug 24 St. Louis, MO Hollywood Casino Amphitheatre STL
Aug 25 Tinley Park, IL Credit Union 1 Amphitheatre
Aug 27 Omaha, NE CHI Health
Aug 29 Denver, CO Ball Arena
Aug 30 Salt Lake City, UT USANA Amphitheater
Sep 03 Bend, OR Hayden Homes Amphitheater
Sep 05 Ridgefield, WA RV Inn Style Resorts Amphitheater
Sep 06 Seattle, WA White River Amphitheatre
Sep 08 Concord, CA Concord Pavilion
Sep 10 Wheatland, CA Toyota Amphitheater
Sep 27 Syracuse, NY Oncenter War Memorial
Sep 28 Allentown, PA PPL
Oct 02 Holmdel, NJ PNC Bank Arts Center
Oct 08 London, ON Budweiser Gardens
Oct 09 Kitchener, ON The Aud
Oct 12 Laval, QC Place Bell
Oct 13 Kingston, ON Slush Puppie Palace
Oct 15 Quebec City, QC Centre Videotron
Oct 16 Saint John, NB TD Station
THE ROCK STAR CHRONICLES
BOOK TRAILER
BOOK REVIEW
-By Literary Titan (5) STARS
The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show.
The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan.
Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives.
The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music. The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.
I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.
