Over the years, I’ve profoundly
enjoyed everyHeartconcert
that I’ve attended. Since the band’s debut performances in 1976 at small rock
clubs like the Hollywood Palace in Baltimore County, Maryland, and witnessing
the bands amazing climb to stardom after performing the following year at the
Capital Centre in Landover, Maryland, the newest and largest arena in the
Baltimore/Washington D.C. area. I also saw Heart perform after I moved to Ft.
Lauderdale, Florida at the Hollywood Sportatorium in 1979. The one factor all
these performances had in common was not only the amazing vocalizations of Ann
and Nancy Wilson, but equally as effective were the distinct performances by
guitar hero Roger Fisher along with his prodigious bandmates Steve Fossen,
Howard Lees, and Mike Derosier. Their fans weren’t only attracted to Heart
because of its two amazing and beautiful singers; they were also drawn to the
music by these incredibly cool musicians. I was disappointed when those
bandmates had either been kicked out or left the band, and to be perfectly
honest, after they left, I completely lost interest in Heart for quite some
time.
But today, I hold a new respect forHeartas
a band. Their consistency of touring and for persistently keeping their brand
in the limelight is second to none. Heart has not only kept their brand in the
limelight but has vastly helped rock and roll survive. Most recently in 2012,
Ann and Nancy Wilson was involved in a rock and roll historical moment when
they brilliantly performed Led Zeppelin’s“Stairway to Heaven”at
the Kennedy Center Honors while a teary-eyed Robert Plant, Jimmy Page, and John
Paul Jones watched with absolute awe and admiration.
On Tuesday nightHeart performed to a sold-out Ruth Eckerd audience in Clearwater,
Florida and the crowd and I also watched with absolute awe and admiration. The
band presented an impressive setlist and performed every song flawlessly.
THE OPENING ACTwas the beautiful and talentedBrynn Marie,
a Nashville vocalist accompanied by an acoustic guitarist. The simplicity of a
duo is sometimes more appreciated than an entire band; absolutely no room for
error, the band performed admirably and definite crowd pleasers.
HEART TOOK THE STAGEto a thunderous roar from the Clearwater audience and immediately
opened their set with the #11 Billboard Hot 100 Hit “Barracuda” from Heart’s
second release ‘Little Queen’ in 1977. The song was intended as an angry
message to Mushroom Records their label at the time. The band followed with
“Heartless” released in 1978 for the ‘Magazine’ album. The song reached #24 on
Billboard’s Hot 100. They performed “What About Love” next, the 1985 release
that became a #10 hit in the U.S. from their self-titled ‘Heart’ album, and
followed with one of their most recognizable tunes from the groups early era
“Magic Man” a track from their debut release album ‘Dreamboat Annie.’
The sold-out Ruth Eckerd
audience was on their feet throughout concert, and most dancing by their seats.
The audience appeared to be mixed between Heart -aged and younger. There were a
lot of attractive women dressed in Wilson Sister’s attire, much like a Stevie
Nicks concert.
Heart ensued with “Dreamboat
Annie” and “Even It Up” from the band’s fifth album entitled ‘Bebe le Strange’
released on Epic Records in 1980, the song landed at #33 on the Billboard’s
chart. Next it was the Ann Wilson rockin’ composition “Kick It Out” from the
‘Little Queen’ album followed by “Straight On” from ‘The Dog & Butterfly’
release on the Portrait Records label in 1978. The song reached #15 on
Billboard’s Hot 100 singles.
Heart performed their first of
many cover tunes of the evening, a Paul McCartney & Wings heavy rocker“Let Me Roll It”from
the ‘Band on the Run’ album. Nancy Wilson did an awesome job performing the
guitar licks on the song. The Wings hard rock classic was followed by Nancy
taking a seat and playing acoustic guitar like a standup bass with a bow while
performing a really cool psychedelic/middle-eastern track entitled “Heaven”
with Ann Wilson on vocals and autoharp. Afterwards, Nancy Wilson took center
stage to sing the Martin Page-Bernie Taupan penned “These Dreams” a #1 U.S. hit
song released by Heart in 1986.
One of the loudest receptions
of the evening came after Ann Wilson performed “Alone.” It was probably Ann’s
most brilliantly performed song of the evening, pronouncing her amazing vocals
and gifted talent. “Alone” also hit #1 on Billboard’s Hot 100 singles charts in
1987. The ballad was released on the commercially successful ‘Bad Animals’
album (reaching #2 on Billboard’s Hot 200 albums chart). “Alone” was composed
by Billy Steinberg and Tom Kelly.
Surprisingly, Heart followed
with a Robin Trower cover entitled “Day of the Eagle” and perhaps honoring the
magnificent ‘Bridge of Sighs’ album which is currently celebrating its 40th
anniversary. Ironically, Robin Trower performed the next day in St. Petersburg
at Jannus Live. I was a bit skeptical when I saw “Day of the Eagle” on the
playlist, but guitarist Craig Bartock did a very nice job with the classic
Trower track. Nancy Wilson took over the spotlight with her legendary acoustic
intro to “Crazy On You” (1976) the final song on the setlist before an encore.
The song is probably the most revered amongst the earliest Heart faithful.
“Crazy On You” impelled an amazing energy throughout the audience propelling
everyone to their feet, and many danced at their seats during the entire
performance.
The band tried to say its
goodbyes but the Clearwater audience was way too appreciative for them to end
the show. Heart concluded the evening with three powerful Led Zeppelin covers,
a band the Wilson Sisters had emulated throughout their entire musical careers.
First “The Immigrant Song” from the Led Zeppelin III release in 1970, followed
by an amazing rendition of “No Quarter” (1973) spotlighting the amazing
keyboards and synthesizers of Debbie Shair. The final song of the night was
Zeppelin’s “Misty Mountain Hop” (1971). All three songs were impeccably
performed by Heart.
The current HEART lineup is…Ann Wilson(vocals, flute, autoharp, and guitar),Nancy Wilson(vocals, guitars),Craig Bartock(guitar),Debbie Shair(keyboards, synthesizers),Dan Rothchild(bass), andBen Smith(drums).
It was an exciting evening and
enjoyed by all. The shirt vendor made a killing as well. The show was
phenomenal but one can still hope for a perpetuated Heart reunion and tour.
Heart was inducted into the
rock and roll hall of fame in 2013.
SETLIST:Barracuda, Heartless ,What About Love ,Magic Man,
Dreamboat Annie ,Even It Up ,Kick It Out ,Straight On, Let Me
Roll It (Wings cover),Heaven, These Dreams ,Alone ,Day of
the Eagle, (Robin Trower cover), Crazy On You, Immigrant Song,(Led
Zeppelin cover), No Quarter (Led Zeppelin cover), Misty Mountain
Hop (Led Zeppelin cover)
COMING UP NEXT … Folk/Rock singer & songwriter Jonathan
Edwards (“Sunshine,” “Shanty”)
and the legendaryTrini Lopez(“If I had a Hammer,” “Lemon Tree”)
Contact music journalist Ray Shasho at
rockraymond.shasho@gmail.com
Purchase Ray’s very special
memoir called ‘Check the Gs’ -The
True Story of an Eclectic American Family and Their Wacky Family Business …
You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST
.99 CENTS at amazon.com or barnesandnoble.com - Please
support Ray by purchasing his book so he can continue to bring you quality
classic rock music reporting.
“Check the Gs is just a really
cool story ... and it’s real. I’d like to see the kid on the front cover
telling his story in a motion picture, TV sitcom or animated series. The
characters in the story definitely jump out of the book and come to life. Very funny
and scary moments throughout the story and I just love the way Ray timeline’s
historical events during his lifetime. Ray’s love of rock music was evident
throughout the book and it generates extra enthusiasm when I read his on-line
classic rock music column. It’s a wonderful read for
everyone!” …stillerb47@gmail.com
COMING SOON… Ray’s exciting new project ... ‘SAVING ROCK AND ROLL’
Don
Wilson andThe Ventureshave
inspired thousands of promising musicians and enthusiasts across the globe for
over five decades, and many of their pupils became legendary in the music
world. Ventures alumnus include… Jeff Beck, Eric Clapton, George Harrison,
Jimmy Page, Stephen Stills, Joe Walsh, Joe Perry of Aerosmith, Billy Joel,
Elton John, John Bonham, Mick Fleetwood, Jeff “Skunk” Baxter, Gene Simmons, and
many-many more.
At 81,Don
Wilson, guitarist & co-founder of
the legendary rock and roll/surf band says he has no plans for slowing down any
time soon. The Ventures recently
concluded a lengthy tour in Japan where they are still idolized. Don and his
son Tim Wilson have
also initiated a new record label with promising young musicians to mentor and
promote.
THE VENTURESare the best selling instrumental rock band in
music history. In 1958, the group was formed by Tacoma, Washington residents Don Wilson (rhythm and lead guitar) and Bob Bogle (lead and bass guitar). The duo’s plan
was to earn a permanent living playing guitar instead of working at their hard
labor construction jobs as bricklayers. They originally performed as the
Impacts and the Versatones before finally settling on The Ventures.
Nokie
Edwards (lead guitar) joined in 1960 and they recorded their first
big hit, a Chet Atkins cover entitled “Walk,
Don’t Run.” The Ventures lineup in the
studio also included Skip Mooreon drums.
In 1960, the song peaked at #2 on the Billboard’s single chart amid stiff
competition from Chubby Checker, Roy Orbison, Elvis Presley, and Bryan Hyland.
Drummer Howie Johnson replaced Moore in 1960. Mel Taylorbecame The
Ventures permanent drummer in 1962 until his passing in 1996.
From 1960 thru 1972,
The Ventures consistently toured worldwide and charted 37 albums. The group was
hailed as America’s instrumental Beatles.
Here’s
a list of incredible accomplishments by The Ventures …
Rock and Roll Hall of
Fame - Class of 2008
Ranked #4 among
all-time instrumental artists on Billboard's Single Charts
Ranked #6 among all
1960s artists on Billboard's Album Charts
Ranked #26 among
all-time artists on Billboard's Album Charts
Ranked #20 in most
albums on Billboard's Album Charts with 37
“Walk, Don't Run” is
one of Rock and Roll Hall of Fame's Top 500 Hits of all time
1960 to 1969 -
Placed 14 singles on Billboard's Single Charts
Gold
singles:
“Walk, Don't Run
(1960), “Walk Don't Run '64” (1964), “Hawaii Five-0” (1969),
1960 to 1972 -
Placed 37 albums on Billboard's Album Charts with 5 on the charts
simultaneously during 1963.
Gold
albums:
Telstar
and the Lonely Bull (1963), Golden Greats (1967), Hawaii Five-0 (1969)
To
date, more than 450 LP and CD albums released worldwide (and still counting)
1960
to 1973 - Sold nearly 1,000,000 albums per year in the U.S.
Japan
sales approaching 40,000,000 units (and still counting)
Collective
worldwide sales approaching 100,000,000 units (and still counting)
1964
- Popularized Mosrite Guitars with introduction of The Ventures Model. Today
these are among the most sought after guitars, known for their tone and
playability.
Successfully
adapted their unique guitar style to countless changes in musical trends
Released
an acclaimed set of instructional records with the Play Guitar with The
Ventures series
Cited
affectionately as "the group that launched a thousand bands"
Credited
with popularizing rock and roll and the electric guitar in Japan
1971
- First non-Japanese artists elected to the Japanese Conservatory of Music
Jan
1987, Guitar Player magazine 20 Anniversary Issue cited Walk Don't Run
as one of "20 Essential Rock Albums"
1990
- Inducted into the Washington State Music Hall of Fame
Feb
1996, Guitar magazine identified “Walk Don't Run” as one of ten 1960's albums
included in “The Fifty Greatest Rock Guitar Records" (albums)
Inducted
into the Hollywood Rock Walk
Invited
to participate in the Smithsonian Institution's celebration of the development
of the electric guitar
Honored
by Fender Guitars with a limited-edition line of Ventures Model Jazzmaster,
Telecaster and Jazz Bass signature guitars
2001
- Honored by Aria Guitars with limited-edition Ventures Model guitars
2004
- Award by Japanese Ministry of Foreign Affairs for contributing to friendly
relations between Japan and US. No other artists in modern music share this
honor
2005
– Washington State Senate Resolution 8645 to honor The Ventures, to
"recognize the contributions of those who have had a significant impact
over the evolution, development and perpetuation of rock and roll"
2006
– “Walk, Don't Run” is inducted into The Grammy Hall of Fame
Numerous
contributions to movie and commercial soundtracks, including ‘Pulp Fiction’ and
‘Madagascar’
The
Ventures have reached over 100- Million in record sales,
14-songs that hit the singles chart, and 37 albums that charted.
The band continues to
record and tour with their current lineup of …Don Wilson(rhythm
guitar- co-founder 1958), Nokie Edwards (lead
guitar -joined 1960), Gerry McGee(lead
guitar –joined 1968), Bob Spalding(lead
and bass guitar –joined 1981), Leon Taylor(drums
– joined 1996 after the passing of his father Mel Taylor).
Co-founder, lead and
bass guitarist Bob Bogle passed away in 2009.
Drummer Mel Taylor passed away in 1996.
I had the rare
privilege of chatting with Don Wilson back in June about … The “Walk, Don’t
Run" legacy … The early days of The Ventures … Their devoted Japanese fans
… My infamous ‘Field of Dreams’ question …The inception of “Hawaii Five-O”… And
much-much more!
Here’s my interview
with The Ventures legendary guitarist, co-founder, pioneer …DON WILSON.
Ray
Shasho:Hi Don how are you doing?
Don
Wilson: “I guess okay for an old man Ray. (All
laughing) I celebrated my 80th birthday last year at the Hard Rock Cafe here in
Seattle.”
Ray
Shasho:Congratulations on your eightieth birthday and
on such an illustrious career with The Ventures … simply amazing!
Don
Wilson: “It really is
and I’m still working. I have never missed a gig in Japan since 1962. All the
other guys have but I never have. So that’s pretty cool. In Japan we’re doing
40-42 shows in sixty days and never the same place twice. So that’s a lot of
travelling if you know what I mean.”
Ray
Shasho:Don, I’m not sure I can do that much
travelling.
Don
Wilson: “I always said
…I dare a twenty year old to do what I do.”
Ray
Shasho: The Ventures influenced so many legendary
musicians … who were the musicians that influenced The Ventures?
Don
Wilson: “Duane Eddy when we first started was
very popular, instrumental, and his stuff was easy to learn, the melodies were
simple and he had about four or five hits in the late 50’s until we came along.
(All laughing) But I know him and he’s a real nice guy. And of course our lead
guitar player Nokie Edwards was into Chet Atkins and Les Paul. As a matter of
fact when he was trying to learn Les Paul stuff he didn’t understand that it
was speeded up, so that’s the way he learned it was just playing it like that.
He’s a hell of a guitar player I’ll tell you that.”
"Bob Bogle … my
partner when we stated the Ventures was a killer bass player. If you listen to
some of the things we’ve done …my God, and he had a unique style of lead
guitar, nobody plays like him, it’s a certain sound. When we got started it was
just the two of us from Tacoma, Washington. When we went in to record “Walk,
Don’t Run” which was our first hit in 1960, my partner and I bought two guitars
at a pawnshop in late 1958 and in 1960 by learning how to play had the number
two hit in the nation which was “Walk Don’t Run.” It should have been number
one but this was our competition … “The Twist” -Chubby Checker, “Only the
Lonely” -Roy Orbison, “It’s Now Or Never” -Elvis Presley, “Itsy Bitsy Teenie
Weenie Yellow Polka Dot Bikini” -Bryan Hyland … all those songs in the Top 5
along with “Walk, Don’t Run.” We stayed at number two while they were switching
back and forth to number one.”
Ray
Shasho: Did you get radio airplay help
from the deejays during that time?
Don
Wilson:“We had a hell of a time getting “Walk, Don’t
Run” played, just an awful time because what happened was my mom was very
interested in working with us and my dad was just the opposite. Our dream was
to be able to support ourselves by just playing the guitar. We wanted to be
able to quit our hard labor jobs in construction. My mom helped us and we
started our own label called Blue Horizon and she went out and did all the
legwork for us because we worked out of town a lot. She really was a big part
of our success because we couldn’t do those things. So she took the record
around to radio stations and they said Nah, it’s not a hit. There was a record
label here called Jerdon Records, Jerry Dennon in Seattle and he said no, it’s
not a hit. We were starting to believe that maybe he was right.”
“There was another
record company in Seattle called Dolton Records and they had some success with
The Fleetwoods … they had such hits as “Come Softly to Me,” and “Mr. Blue” and
we finally did get a disc jockey who we knew from the past who worked at a
smaller radio station, and then became the most famous Top 40 disc jockey in
Seattle to play “Walk, Don’t Run,” but it was only being played as a news
kicker. He said we’re going to play about thirty seconds of your song before
the news. The way they know if people like it was that they’d call in and say…
what was that I really like that. The disc jockey never says who it is or what
the name of it is, you have to call in to find out. So this guy from Dolton
Records happened to be listening and he got a hold of us, his name was Bob
Reisdorf and he said I’d like to talk to you about a contract. He said I really
like the song. Everybody had turned us down but him, you find an angel every
once in awhile. So we met with him and he said I’m going to send this to my
distributor in Los Angeles which happened to be Liberty Records. The President
of Liberty Records said… no, I don’t want it, doesn’t sound like a hit to me, and
Bob Reisdorf of Dolton Records said, let me tell you something, I think it’s a
natural hit. Bob said, you put it out and if it loses money I’ll pay it. And it
went on to be a number two hit in the nation. Then we went to Japan and became
monsters! We were the instrumental Beatles; we couldn’t leave our hotel room.”
“We received the Order
of The Rising Sun Gold Rays with Rosette medal which was awarded by Japan’s
Emperor in recognition for The Ventures contribution to the development and
enrichment of music culture in Japan as well as to the promotion of cordial
relations between Japan and the United States. In 2004, The Ventures
received the Japanese Foreign Minister’s Award on the occasion of the 150th
anniversary of the Treaty of Amity between Japan and the United States. There
was never a group like ours who got that kind of recognition and especially
from the Emperor and the government.”
Ray
Shasho:The Beatles earlier guitar sound sort of mimicked The Ventures.
Don
Wilson:“George Harrison wrote an article that said he
really liked The Ventures; yea you can hear that in The Beatles early stuff.
George said we have The Shadows here in England but I’ve always opted for The
Ventures.”
Ray
Shasho: It’s truly amazing how
many great guitarists started out playing the Ventures music.
Don
Wilson: “I’ll give you a
partial list right now … how about Jeff Beck, Eric Clapton, Jimmy Page, Joe
Perry of Aerosmith, and many-many country artists. While I was waiting to get
my presentation at the Rock and Roll Hall of Fame, Billy Joel was backstage and
he said to me one of the very first songs that I learned on the piano was
“Walk, Don’t Run.” My daughter called me about five or six years ago and she
said somebody told me that you had something selling at Starbucks. I said if we
had a CD in there I would know it. I told her that I’ve got to go and find out
what that might be. So right before Christmas I went down to Starbucks and I
see ‘Elton John’s Favorite Christmas Songs’ none by him but by other artists.
And I see one of our songs from our Christmas album and he had a paragraph
inside the insert of everybody that he had chosen to be in there and when it
came to The Ventures he said, I grew up with The Ventures … “Walk, Don’t Run”
and “Perfidia,” the last thing he said was The Ventures are cool! I would have
never known about that or Billy Joel. There were also a lot of drummers that we
influenced too like John Bonham and Mick Fleetwood.”
Ray
Shasho:Not sure if you considered ‘The Ventures’ as a Surf Band or a Rock
and Roll band … Personally I always thought of ‘The Ventures’ as a Rock and
Roll band.
Don
Wilson: “Oh no doubt
about it! Not only that but we have somewhere between 260-270 different albums
out. Who has a Gold 8-track, I want to know. And of course we got real popular
in Japan. GAC was the agency that was booking us and we were doing a four hour
gig for dancing while getting paid around $250.00 …and that was when “Walk,
Don’t Run” was a hit! (All laughing) They asked us if we wanted to go to Japan
and I said yea, that would be great. But there was good news and bad news ….
They couldn’t afford all four us, only Bob and I, and we still said yes. They
weren’t really into rock and roll; they were mostly into big bands at that time
in 1962. They didn’t have an electric bass in the whole country, acoustic
guitars were popular there, mostly Mariachi type of stuff. One of the
most popular groups was called ‘Trio Los Panchos’ and so when we started with
the guitar the kids just went crazy for it, but not at first.”
“When we went back
there in 1964 they had been playing our records everywhere … radio, TV,
loudspeakers, coffee houses …and we hadn’t realized how popular we were. There
were three thousand people waiting for us at the airport building and we all
wondered who’s on this airplane the President? (All laughing) The closer we got
to the terminal we saw all kinds of signs saying… ‘WELCOME THE VENTURES,’ and
if we’d known that we would have asked for more money. (All laughing)”
Ray
Shasho:One of the most memorable album covers growing
up as a kid was ‘Golden Greats by The Ventures’ spotlighting a young beautiful
blonde girl wearing a gold bikini on the front and inside cover. I think many
of us fell in love with that particular album cover.
Don
Wilson:“For one thing she was a centerfold in Playboy
magazine. It was the record company’s idea to put a sexy woman on the front. We
sold records mostly to guys who wanted to know how to play the guitar. The very
first album we had ‘Walk, Don’t Run’ had that girl on it too wearing capris
pants. It was photographed from below and she looked real tall but she wasn’t,
she was only about 5’2 inches but a very sexy girl. To tell you the truth I
never met her back then. All those guys on the album cover that were falling
down with the guitars and holding them up while they’re falling to the ground
were stockroom boys, because we were on the road, so I never met her.”
“But in the early 90’s
we were playing at a beach resort in Southern California and this guy comes in
and he says do you know her? I’m looking at her and I say no … and he says
she’s the one that’s on your first album cover, she has a boutique right down
the street. She always looked tall on the album cover but she was only about
5’2 inches. It was a total surprise! So that was the first time that I met her.
We did another album that had the same kind of look, but it was really us
falling down on the cover. They wanted to repeat the look with the artists.”
Ray
Shasho: Don, talk about the inception of "Hawaii Five-O” …Morton
Stevens wrote it and his original theme was played on the TV show … but The
Ventures longer version of "Hawaii Five-O” was actually recorded and
became a huge hit?
Don
Wilson:“I’ll tell you the whole story … our drummer
who was Mel Taylor at the time, he passed away and my partner Bob who passed
away too, so there’s only me and Nokie Edwards, and he doesn’t play much
anymore but I do. (Laughing) I’m still working … I don’t have to but I want to.
I don’t fish and golf, what am I going to do lie in bed and watch TV and eat?
(All laughing)”
“Anyway, our drummer
had gotten closer than we did to one of our engineers. He told Mel Taylor, you
know the writer only has a thirty second version of “Hawaii Five-O” just for
the TV show. He said, I suggest that you guys record it because he’s (Morton Stevens)
not going to. We did record it; I’m telling you The Ventures are snake bit;
we’re the Rodney Dangerfield of the rock world, we don’t get no respect.
(Laughing) So anyway he says why don’t you guys do a two minute version of it
and put it out there? So we did.”
“The TV show wasn’t
really making it. At that time after thirteen weeks if you didn’t make it you
were through. Then the scripts got better and it finally caught on. We released
“Hawaii Five-O” and it wasn’t a hit for seven months after it was released. We
were trying to get people to play it so we hired somebody to push the record
and he got turned down everywhere. He finally got a breakout and then calls a
lot of radio stations and tells them that stations are playing the hell out of
it. They ask him, oh yea, where? He says in Hawaii, which wasn’t very
impressive to them. Eventually somebody did play it and went up the charts to
number one in Sacramento, California, and that started the whole thing off.
Then it landed on the Top 5 in the nation.”
Ray
Shasho: “Was there ever a time when The
Ventures considered using a vocalist?
Don
Wilson:“I did in Japan; in 1976 we took a couple of
female vocalists with us. It’s not what they wanted to see though; they want to
see The Ventures. The people that we were working for over there said no, you
guys are a four piece and are The Ventures … two guitars, a bass, and a drum,
because they would have had to pay them and I’m sure they didn’t want to do
that.”
Ray
Shasho:Don, do you own a collection of vintage
guitars?
Don
Wilson: “I just sold my
guitar for $75,000., of course not as much as guitarists like Eric Clapton
(Laughing). It was a 1967 Jazzmaster and I had played that all the time until
after we had our deal with Mosrite Guitars. That guy was the worst businessman
in the world. He started a record company and lost all of his money. We had
guitars out that were accounts receivable and my partner and I lost about
$200,000. That was in the 60’s, how much is that now? And then he had the gall
to come ask me …Can I use your name? I said I don’t think so, but he did
anyway.”
Ray
Shasho:We never get tired of listening to The
Ventures and it’s amazing how people will usually identify a Ventures cover
over the original song.
Don
Wilson:“We’ve gone from playing other people’s songs …
how many instrumentals is there that aren’t movie or TV themes. Instrumentals
are hard to come by with hits, so we got other people’s instrumentals and put
them on an album, and in many instances our albums sold more than their single.
We identified with doing that too. People say oh, you’ve got that hit, not
originally but we did make a big hit out of it. Of course “Wipe Out” was The
Surfaris and we did it a little bit different than that, and I think we outsold
their single by two to one. With “Pipeline” every time I see Bob Spickard of
The Chantays he gives me that praise where he gets down on his knees, because
they came and went. The Chantays were one-hit wonders and that’s it. And here
we are with over 270 different albums. We went from surf to rock to classical.
We also have a classical album called ‘Joy!’ out with a 35-piece orchestra
behind us. We also did a Beatles tribute album called ‘In My Life’ (2010),
Japan wanted us to do that and so we did … people love it!”
Ray
Shasho:Don, here’s a question that I ask everyone
that I interview. If you had a ‘Field of Dreams’ wish like the movie, to play
or collaborate with anyone from the past or present, who would that be?
Don
Wilson: “I suppose it
would have been the thrill of my life to play with Duane Eddy, that’s how I
learned the lead guitar that I play, by listening over and over to his stuff.
Duane Eddy is more or less the blueprint for what I play. People always ask me
how you get your sound, it’s unique and different. When my partner and I got together
we didn’t know a bass player or a drummer, they were playing with other bands.
So it was just he and I. We’d go to these talent shows and in order to make up
for the drum kind of sound I played a very percussive rhythm, and he played
lead. I did play more lead guitar than he did at that time, but he played lead
on “Walk, Don’t Run” and a lot of the early stuff. So he would come to a note
and would make a chord out of it, and then he would use the whammy bar to make
it a full rich sound. Once we did get a bass player and a drummer …that stuck!
I think that had a lot to do with The Ventures success. At that time in the
early 60’s we were going in to record “Walk, Don’t Run” and other musicians
were saying … you’re going in there without a piano or saxophone, you’re not
going to be able to do anything without that. (All laughing)”
“Thank God we didn’t
have a saxophonist or a pianist.”
Ray
Shasho:Anything else you’d like to promote?
Don
Wilson:“My son and I have started a record label and
I just produced a group from Seattle and now we’re waiting for the art work to
be done. I’m also going to do a video and I have high hopes for them. They’re
young boys … one seventeen, another nineteen, and the other one is twenty one,
two of them are brothers …and I have to tell you these guys are really good.
They’re all good looking boys. People that have gone to see them around here
say that they’re really great onstage … the name of the band is ‘Asterhouse.’
Ray
Shasho:Don, thank you so much for being on the call
today, and more importantly for all the incredible Ventures music you’ve given
us and continue to bring.
Don
Wilson: “Thanks Ray that
was great … good interview!”
Purchase The Ventures
incredible Beatles instrumental CD entitled … ‘In My Life’ (2010)
atamazon.com
COMING
UP NEXT … Folk/Rock/
Singer & Songwriter Jonathan Edwards (“Sunshine”)
Contact music
journalist Ray Shasho at
rockraymond.shasho@gmail.com
Purchase Ray’s very
special memoir called ‘Check the Gs’ -The
True Story of an Eclectic American Family and Their Wacky Family Business …
You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST
.99 CENTS at amazon.com or barnesandnoble.com
- Please support Ray by purchasing his book so he can continue to bring you
quality classic rock music reporting.
“Check the Gs is just a really cool story ... and
it’s real. I’d like to see the kid on the front cover telling his story in a
motion picture, TV sitcom or animated series. The characters in the story
definitely jump out of the book and come to life. Very funny and scary moments
throughout the story and I just love the way Ray timeline’s historical events
during his lifetime. Ray’s love of rock music was evident throughout the book
and it generates extra enthusiasm when I read his on-line classic rock music
column. It’s a wonderful read for everyone!”
…stillerb47@gmail.com
“Check the Gs is just a really
cool story ... and it’s real. I’d like to see the kid on the front cover
telling his story in a motion picture, TV sitcom or animated series. The
characters in the story definitely jump out of the book and come to life. Very funny
and scary moments throughout the story and I just love the way Ray timeline’s
historical events during his lifetime. Ray’s love of rock music was evident
throughout the book and it generates extra enthusiasm when I read his on-line
classic rock music column. It’s a wonderful read for
everyone!” …stillerb47@gmail.com 
“Check the Gs is just a really
cool story ... and it’s real. I’d like to see the kid on the front cover
telling his story in a motion picture, TV sitcom or animated series. The
characters in the story definitely jump out of the book and come to life. Very funny
and scary moments throughout the story and I just love the way Ray timeline’s
historical events during his lifetime. Ray’s love of rock music was evident
throughout the book and it generates extra enthusiasm when I read his on-line
classic rock music column. It’s a wonderful read for
everyone!” …stillerb47@gmail.com 
